Hahaha! Good Morning Everyone!
When I was a child, my dad drove a dark green 70’s Ford Mustang: the pony car, a classic piece of Americana that symbolized the ideals of longevity, workmanship and is the embodiment of American muscle. The Ford Mustang is the only pony car to have uninterrupted production, with each generation featuring alterations, which may be seen as for better or for worse. Nonetheless, the Mustang is still being driven and still being bought. Possibly influenced by my childhood or maybe the fact that today’s cars are nothing like the classics, when I grow up I wouldn’t mind owning a ’68 Cobra GT 350: a lot of people’s dream car.
There is just something about American muscle cars: a body made of steel, bigger, heavier, and at times louder. There is no plastic on the exterior, so it can take a hit. There are no cheesy decals needed, because they already look good as is. Getting our first car is a perennial entrance into manhood globally. Getting a muscle car will forever be an iconic symbol of male testosterone: the notion that we made it to the top, we are the alpha-dog and this is how we get around.
Jimmy Nothing never went 2 school
They made him pledge allegiance
He said it wasn’t cool
Nothing made Jimmy proud
Now Jimmy lives on a mushroom cloud
America, America
God shed his grace on thee
America, America
Keep the children free
Gran Torino
This film marks the return and departure of Clint Eastwood as a lead actor and actor in a film, respectively. Eastwood plays Walt Kowalski, a retired Ford factory worker and Korean War veteran, who has recently been widowed and now finds himself adjusting to a rapidly changing and colorful community. The classic Eastwood is back: with the hard-edge, racist slurs and overall badass that we’ve all been accustomed to with Dirty Harry and an array of spaghetti westerns. For example, a Hmong family moves into next door, initial soliloquy, ”How many swamp rats can fit into one room?” spits and walks away. Classic! Kowalski has no relationship with his two sons or their families (granddaughter tries to cadge his stuff as if he were dead). This all happening during a wake.
While mourning in the Kowalski home, the Vang Lor family (the Hmong family that just moved in) is celebrating a birth. Walt wants nothing to do the Hmong family that moves in next door, and the feeling is mutual. A small Hmong family: a mother, grandmother, Sue and her shy brother Thao Vang Lor. gets heckled by a Mexican gang only to be “saved” by his cousin and his Hmong crew. Later, they convince Thao to steal Walt’s Torino for his initiation into the gang. Thao fails, his cousin then tries to convince to repeat the attempt only to end up looking down the barrel of Walt’s shotgun. Get off his lawn.
The next day, for saving the community Walt is given gifts, which he comically throws away. Then he encounters the Vang Lor family, basically through Sue. At this point, Thao admits that he tried to steal Walt’s Torino, a crime he will atone for later. In the next scene Walt saves Sue, walking with Eastwood’s son playing Trey, from the heckling of 3 black men. Great scene. The best part Eastwood’s dialogue to his own son: “Shut up, pussy. What is all this “bro” sh*t, anyway? Want to be Super Spade or something?…Now get your ofay, Paday ass on down the road” all the time gun pointed at everybody.
After this Walt becomes more involved in the Vang Lor family: invited to a party, eats foods, has a merry time, until he gets read by a shaman, leading to another great line “God, I have more in common with these gooks than I do my own spoilt rotten family.” He not lonely gets more involved with the Lor family, but with the entire Hmong community around him. Here is where Thao pays for his crime by doing chores for Walt. “All you slopes are supposed to be good at math, right?” Hahaha! The kid counts the birds.
Needless to say, the relationship between Thao and Walt develops. Walt is the male role-model/father-figure that Thao was missing. He eventually gets Thao a job, gives Thao tools, and teaches Thao how to fix things and how to be a man…well, at least speak like one. Eventually, the Hmong gang confronts Thao again, beat him up and break his tools. Walt then gets revenge on Thao’s behalf by kicking the crap out of the fat guy.
This, of course, leads to more retaliation…eye for an eye: drive-by shooting on the Vang Lor home, Sue being beaten and raped: this being the climax of the movie and where I stop the walkthrough, because you need to watch this film yourself. And I highly recommend that you watch this film. There are several reasons why you should: family, community, the celebration of differences, friendship, but from a purely production point of view watch the film because of smart dialogue (the dialogue and development between Walt and Father Janovich is beautiful; the final lines of the movie during the Will-reading…fantastic; Miss Yum Yum!), the story and overall direction by Eastwood.
So tenderly your story is
Nothing more than what you see
Or what you’ve done or will become
Standing strong do you belong
In your skin; just wondering
Gentle now the tender breeze blows
Whispers through my Gran Torino
Whistling another tired song
Engine humms and bitter dreams grow
Heart locked in a Gran Torino
It beats a lonely rhythm all night long
It beats a lonely rhythm all night long
It beats a lonely rhythm all night long
I know what you may be saying; all I have been doing is praising movies and not really critiquing them and giving them dirt. That’s because I own the movie on DVD…and I don’t own crap. Because, at this point I’m only discussing DVD’s I own (hopefully that will change), I’m using technology to my advantage. Let’s see how long this screencap thing will last. Hahaha! Until next time!